Aerosmith and Yungblud Unleash Explosive Collaboration with “My Only Angel”
Los Angeles, CA — The worlds of classic rock and modern alternative collided this week as Aerosmith and Yungblud officially premiered their highly anticipated collaborative single, “My Only Angel.” The soaring track, which serves as the lead single from their joint five-track EP One More Time, blends Steven Tyler’s legendary vocal prowess with Yungblud’s raw, boundary-pushing energy in what critics are already calling one of the most unexpected and electrifying collaborations of the year.
A Powerhouse Opening
The single wastes no time announcing its ambition. It opens a cappella with Steven Tyler’s unmistakable voice cutting through the silence, singing: “Will you cry, if I called you my angel? Would you leave me one more time?” The stark vulnerability of Tyler’s delivery instantly commands attention before the track erupts into a wall of sound, anchored by Joe Perry’s blues-drenched riffs and a rhythm section that carries the swagger of Aerosmith’s prime.
When Yungblud enters, his raspy, passionate vocals weave seamlessly into Tyler’s verses, creating a dynamic call-and-response energy that bridges generations of rock fans. The two trade lines with fiery intensity, building toward a chorus that soars with raw emotion and grit.
“This song is about obsession, redemption, and not letting go,” Tyler said in a statement. “When Yungblud came in, it was like striking a match in a room full of gasoline. The energy just blew up.”
Yungblud Meets the Bad Boys of Boston
For Yungblud, who has consistently challenged conventions of genre and image, the collaboration represents a career-defining moment. Known for his punk ethos and anthems of youthful rebellion, he has often cited Aerosmith as one of the bands that shaped his love of rock ’n’ roll.
“Working with Steven and Joe was like stepping into rock ’n’ roll church,” Yungblud said. “They’re gods, but they treated me like family. My Only Angel isn’t just a song—it’s a riot, it’s a confession, it’s a party in a thunderstorm. I wanted to bring chaos, and they wanted to bring fire. Together, it just worked.”
Joe Perry’s Signature Firepower
At the heart of the track lies Joe Perry’s unmistakable guitar work. His gritty riffs form the backbone of the song, while his fret-burning solo midway through elevates My Only Angel into a full-blown arena anthem. Perry’s ability to balance bluesy grit with shredding virtuosity provides the perfect foil for the dual-vocal attack of Tyler and Yungblud.
“You can hear the clash of eras,” Perry explained. “There’s this modern chaos Yungblud brings, but at the same time, it’s pure Aerosmith. That’s the magic.”
The EP:
One More Time
My Only Angel is the lead single from One More Time, a five-track EP that represents Aerosmith’s most daring project in years. The record combines three brand-new originals (“My Only Angel,” “Problems,” and “Wild Woman”) with “A Thousand Days,” a brooding, cinematic ballad, and a revamped version of the Aerosmith classic “Back in the Saddle.”
Longtime Aerosmith members Tom Hamilton (bass) and Brad Whitford (guitar) both lend their unmistakable tones to the EP, ensuring it carries the full weight of the band’s sonic DNA. Meanwhile, powerhouse drummer Matt Sorum—best known for his work with Guns N’ Roses and Velvet Revolver—provides thunderous percussion, driving the songs with muscular precision.
“It felt like a full-circle rock ’n’ roll moment,” Sorum said. “Here’s Aerosmith, still killing it after decades, and Yungblud representing the next generation. To sit behind the kit and glue that together was a privilege.”
Themes of Fire and Freedom
Thematically, the EP is said to grapple with identity, rebellion, and survival. Yungblud’s lyrical style—confessional yet defiant—melds seamlessly with Aerosmith’s time-tested themes of love, lust, and liberation.
On “Problems,” the second track, Tyler and Yungblud explore the chaos of fame and addiction with blistering honesty. “Wild Woman” is a gritty, swaggering rocker that channels the sleazy glam energy of Aerosmith’s 1970s heyday, while “A Thousand Days” leans into haunting melodies and strings, showcasing a more introspective side of both artists.
The reimagined “Back in the Saddle” serves as a thrilling closer, with Yungblud injecting a feral energy into the iconic chorus while Perry’s updated guitar work reinvents the track for a new era.
Critical Reception and Fan Response
Within hours of its premiere, My Only Angel dominated streaming platforms and sent shockwaves through social media. Fans praised the chemistry between Tyler and Yungblud, noting how their voices—despite coming from different generations—melded into something fresh and explosive.
Critics, too, responded positively. Rolling Stone called it “a bold collision of eras that feels both nostalgic and forward-looking,” while NME praised Yungblud’s performance as “the perfect foil for Tyler’s legendary howl.”
One fan on Twitter summed it up best: “I didn’t know I needed Aerosmith x Yungblud in my life, but now I can’t live without it.”
A Bridge Between Generations
Beyond the music, One More Time represents something larger: a bridge between classic rock titans and the restless spirit of modern alternative. Aerosmith, whose career spans over five decades, has never shied away from reinvention. Yungblud, meanwhile, has become one of the most polarizing yet magnetic figures of his generation, inspiring a devoted fan base with his fearless authenticity.
Together, they’ve crafted an EP that refuses to play it safe. Instead, it embraces risk, experimentation, and the raw joy of collaboration.
“Rock ’n’ roll is about danger, and this project has it in spades,” Yungblud said. “It’s about throwing the rulebook out the window and seeing what happens when legends and lunatics collide.”
What Comes Next
While neither Aerosmith nor Yungblud has confirmed a full joint tour, rumors are already swirling about live performances together. Industry insiders suggest the two acts may share festival stages in 2026, where songs from One More Time could come to life in front of massive crowds.
For now, the EP stands as a bold testament to the enduring power of collaboration. It’s proof that even after decades at the top, Aerosmith can still surprise, and that Yungblud’s fearless experimentation can thrive alongside rock’s most iconic voices.
As Tyler put it: “Music is about connection. Doesn’t matter if you’re 20 or 70, when the lights go down and the guitars start, it’s all the same beautiful madness. That’s what this record is about.”
With My Only Angel already making waves and One More Time poised to shake up rock in 2026, one thing is clear: Aerosmith and Yungblud have created not just a collaboration, but a moment that will echo across generations of rock fans.
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